miércoles, 5 de septiembre de 2012

Así es como se hace un gran comercial de cerveza

 
 

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via El Chilar by Gutser on 9/5/12

Si, a mi también se me hizo raro que no pidieran Corona y se pusieran a bailar el jarabe tapatío o a cantar el cielito lindo. Supongo que no en todos lados del mundo dura tanto una campaña publicitaria mediocre.

 
 

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La ley de la gravedad no le aplica a todo mundo

 
 

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via El Chilar by Gutser on 9/5/12

Ver videos como éste me emociona mucho………pero luego me estreso ya que me pongo a pensar que si este compa usara sus poderes para el mal no tendríamos a nadie que pueda detenerlo.

 
 

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Reforma Móvil : Trino - Fábulas de policías y ladrones



Trino - Fábulas de policías y ladrones
05 septiembre 2012


Visita reforma.com


---Mau

lunes, 3 de septiembre de 2012

Ascensores espaciales, un curioso proyecto de crowdfunding

 
 

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via ALT1040 by JJ Velasco on 8/30/12

Uno de los temas que más atención atraen es, sin duda, la exploración espacial y, de hecho, toda la atención alrededor de la llegada de la Curiosity a Marte es buena prueba de ello (y gracias a este éxito la NASA quiere continuar sus misiones en el Planeta Rojo). Dejando a un lado a las grandes agencias espaciales, de vez en cuando surgen proyectos bastante singulares (y algo titánicos) que persiguen alcanzar grandes gestas en el ámbito de la exploración espacial desde la iniciativa privada construyendo naves, colonizando Marte o construyendo un ascensor espacial. Además de una empresa japonesa que ya anunció sus intenciones de construir uno, Michael Laine, un antiguo empleado de la NASA ha decidido abordar la construcción de un ascensor en la Luna y, por lo que podemos ver, la campaña en Kickstarter está funcionando bastante bien.

Liftport

Michael Laine estuvo trabajando en la NASA durante 11 años dentro de un equipo de investigación donde ya comenzaron a vislumbrar las posibilidades de construir un ascensor que pudiera sustituir, en el futuro, el uso de cohetes espaciales. Después de estos 11 años, Laine abandonó la agencia espacial estadounidense y continuó su trabajo dentro del sector privado (fundando la empresa LiftPort Group en 2001 y que terminaría quebrando en el año 2007).

Cinco años más tarde, cual ave fénix que renace de sus cenizas, Laine ha decidido volver a reflotar la compañía LiftPort, ahora que el sector privado comienza a tener una posición relevante dentro de la exploración espacial, y vuelve dispuesto a poner en marcha la construcción de un ascensor pero, en vez de emplazarlo en la Tierra, se construiría en la Luna (que sería algo más sencillo gracias a la baja gravedad). Con esta idea, Laine abrió un proyecto en Kickstarter para ver si el crowdfunding le inyectaba algo de capital y, fijando una cota de 8.000 dólares iniciales, arrancó un proyecto que ha captado ya más de 1.200 contribuciones amasando una cifra de algo más de 38.000 dólares (aunque ha presupuestado un proyecto de 3 millones de dólares)

Este investigador espera conseguir resultados palpables en unos 8 años con la idea de ir perfeccionando la tecnología haciendo que primero unos robots puedan elevarse por las torres, emplazar los ascensores en la Luna y, quizás, que éstos sirvan como base para construir alguno en la Tierra. De hecho, los trabajos iniciales de Laine miraban a la Tierra como origen y comenzó a trabajar con diseños basados en nanotubos de carbono (la misma base que quiere usar la empresa japonesa Obayashi Corporation).

idea

¿Y para qué emplazar un ascensor en la Luna? El objetivo es facilitar el despliegue de misiones espaciales puesto que las naves solamente tendrían que transportar material o personal hasta "la mitad del camino" y, a partir de ahí, todo se transportaría en el ascensor como primer paso de estructuras mucho más complejas.

Imágenes: Flickr




 
 

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domingo, 2 de septiembre de 2012

Blue Harvest


El original puede ser encontrado aqui:

http://www.therpf.com/f45/prop-store-first-look-location-buttercup-valley-124726/
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ON LOCATION: BUTTERCUP VALLEY, 1982

Take a journey with us thirty years into the past. Before the world wide web, before internet forums and blogs. Hell, before Usenet groups and Compuserve. This was when movie spies were more like real spies. Belly-crawling with real cameras loaded with real film. Sharing physical assets. Speaking on the phone. Making meet ups face-to-face
A more romantic, if now largely forgotten, time.



The return to Tatooine.

It was the Spring of 1982. In the Southern California desert region known as Buttercup Valley, cameras were rolling on a film called BLUE HARVEST: HORROR BEYOND IMAGINATION. A SoCal science-fiction nut named Mike Davis had heard rumors about the production just having gotten under way. He and his pals decided to pack up some camping supplies and go check it out. This was the 1980s, a time when film productions were able to remain much more secretive than they do today, due in large part to the producers being able to stem the flow of information much more effectively in the absence of the internet. But just Earthling spies do their best work when boots are on the ground, so too would Mike Davis and his network of Bothan spies.

None of these Bothans died to bring us this information, but they did get sand everywhere imaginable (and unimaginable). The photography that follows is a never-before-published archive of private shots snapped on set during the filming of RETURN OF THE JEDI.



The sand skiff and the helicopter that filmed the exciting action sequence.



Mark Hamill prepares for swashbuckling on the high (dune) seas.

Mike's group embarked on a ten-day camping expedition to get themselves out to this remote area of the desert where something titillating was happening. There was a small rest-stop just off the freeway which opened up into a big, flat area in the middle of countless sand dunes. A long slog on foot out into the sand took them up over a rise of dunes and down into a sprawling valley.



Jabba the Hutt's luxury sail barge.

As soon as Mike and his explorers came upon it, they knew they had stumbled upon the filming of the third STAR WARS film. Before the internet, movie studio counter-intelligence programs were a relative rarity. RETURN OF THE JEDI (still REVENGE at this point) was one of the exceptions. The massive success of the first two films had already created a rabid fandom and an insatiable hunger for all things STAR WARS. The third and most-anticipated-to-date film in the trilogy was the Holy Grail of eyeball porn for fans. Hence the misdirection created by the title BLUE HARVEST.

Still, compared to today's environment, security was relatively lax. It consisted of a chain-link perimeter fence and scattered security grunts. Mike and his cohorts were able to walk right up to the fence where they were told that as long as they behaved, they could hang out and watch movie magic in the making. They were even allowed to openly take photos! Talk about a more romantic time.



Carrie Fisher takes a break from her sizzling golden bikini.

While on their long expedition, the Jedi spies were trying to piece together the plot for RETURN OF THE JEDI, something that was kept very secret. Were they looking at the return to Tatooine or some other desert? If it was, as they anticipated, was this the secret lair of the fabled Jabba the Hutt?



















Every angle of Jabba's sail barge.

As filming rolled for days and days, Mike and his embedded amateur snoops would write down snippets of dialogue they could overhear and try to piece together the story based on what they were seeing. The centerpiece of the action filmed in Buttercup Valley was the execution sequence on the sand skiffs…










New aliens appeared, more realistic and menacing than had been seen earlier in the trilogy…


New vehicles tantalized (though even present-day STAR WARS sleuths must wonder what the speeder-bikes were doing on Tatooine)…


The spies witnessed C3P0's swan dive off the barge and wondered if that was the end of poor goldenrod…




They saw R2-D2 dramatically cannon-launch the lightsaber to Luke and debated how that worked into the story…


They saw Lando Calrissian (here, just his stunt double) dressed as what looked to be a bad-guy and wondered where his betrayal of Han in THE EMPIRE STRIKES BACK took his story…


One of the coolest spectacles they got to see was Boba Fett, a cult character favorite, engaged in his aerial battle with Han and Chewie. They also witnessed, Mike and his spies hypothesized, Boba Fett's untimely demise in the mouth of the all-powerful Sarlacc.














While the STAR WARS sleuths witnessed much of the action surrounding the Sarlacc pit, their vantage point did not actually allow them to see the hungry, hungry alien himself. It actually wasn't until months after filming had wrapped, when Mike and his pals returned to the scene under cover of night, that they realized what was happening down below those execution skiffs. As was customary for larger sets at the time, the Sarlacc was left exactly where it was built—in the desert sands. Discovering the Sarlacc resulted in great excitement for the spies as well as great treasure—they were all able to haul some (now very valuable) pieces of the ancient beast back to their homes where they would be slowly digest—er, enjoyed—for the next thousand years.



Producer Howard Kazanjian debates the finer points of Tatooine with producer Robert Watts.

Mike and his friends spent so much time on the Buttercup Valley set that they became veritable fixtures in the RETURN OF THE JEDI shoot. In many cases, they were able to get up rather close and personal with many of the famous faces on set, those both in front of and behind the camera.





Kenny Baker confirms suspicions: it's kind of hot in these astromech droids.



Mark Hamill's stunt double chats skiff-swinging with Carrie Fisher.

Those few weeks in the deserts of California's Buttercup Valley during the spring of 1982 were an experience for the ages. As popular as STAR WARS was back then, Mike and his enterprising friends had no idea the phenomenon it would grow to become. And now their stories and their wonderful photographs are a part of the STAR WARS trilogy's indelible history.



The ultimate treat for Mike and his fellow Bothans was finally getting to see RETURN OF THE JEDI in the movie theater when it was released in May of 1983. Not only was it a new STAR WARS film, but they were finally able to divine what parts of the story they had correctly deduced and what they had completely miscalculated!

Prop Store extends a very special "thank you" to Mike Davis for allowing us to share his photos and story with the prop collecting community.